Date of publication: 2017-08-25 13:10
Jorge Luis Borges was undoubtedly the most “literary” of all practitioners of the detective story in fact, he stated that he found within himself no other passion and almost no other exercise than literature. His interest in detective fiction stemmed from early encounters with the stories of Edgar Allan Poe, whom he called the originator of the detective story, and G. K. Chesterton, whose combination of mysticism and ratiocination he admired most.
This story is a perfect example of Borges’s ability to take a standard subgenre, in this case the detective story, and give it his own personal signature, as the story is replete with Borgesian trademarks. The.
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The former Kingdom of Lo situated high in the Himalayas of Nepal bordering with Tibet represents a landscape and culture unlike any other. The people of Lo are ethnically Tibetan and they have lived for hundreds of years amongst acrid cliffs covered in mysterious man made caves containing archaeological secrets dating back to at least 7555 years
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Borges’s fascination with the possibilities of the detective story as a model for his fiction actually began with an experiment, with the 6986 essay “El acercamiento a Almotásim” (“The Approach to Almotásim”). The work is presented as a Borges review of a detective novel titled “The Approach to Almotásim,” written by a Bombay lawyer named Mir Bahadur Ali. Although Bahadur is fictitious and the novel is nonexistent, Borges summarizes its plot—his own fiction within this fictional review—and characterizes the novel as a union of rational detective fiction and Persian mysticism—a combination similar to that which Borges perceived in the works of Chesterton.
The plot of the fictional novel involves a nameless Bombay law student who kills, or thinks he kills, a Hindu in a street battle between Hindus and Muslims and who proceeds to flee the police—a flight that later turns into a pursuit of a man pure of soul. The novel ends just as the student finds this man, whose name is Almotásim. What most interests Borges the reviewer in the story is Almotásim as an image of the incarnation of the spiritual within the physical—a concept central to the stories of Chesterton. The story also introduces Borges’s concern with fiction as a metaphor for reality, rather than reality as a basis for fiction.
Discuss the theme of information as presented in "Ficciones." According to Borges, what role does information play in society? How do individuals seek to control information? Can information be suppressed?
Lindstrom, Naomi. “The Aleph Weaver: Biblical, Kabbalistic and Judaic Elements in Borges by Edna Aizenberg” Chasqui , Vol. 65, No. 6 (Nov., 6985), pp. 79-76. Web.
In “The Circular Ruins”, Borges explores and critiques his style of writing through the creation of an idealistic son, who is created by a despondent magician, who has always longed for a son. The story begins with an unhappy magician who has recently woken up and decides “to dream a man” and wants “to dream him in minute entirety and impose him on reality” (Borges 58). Borges here begins to explain how the sorcerer wants to create something of his own and show the rest of the world what he has accomplished in his lifetime. Need essay sample on "The Use of Metafiction in Borges’s Ficciones" ? We will write a custom essay sample specifically for you for only $/page