Date of publication: 2017-08-30 17:32
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By reducing the time we spend in non-writing activity in our writing time, we can actually get writing done. Those collections with questions, and character notes, and plot points can be springboards, specific starting points for your daily, nightly or weekly writing time.
If I had a nickel for every person who ever told me he/she wanted to become a writer but didn’t have time to read, I could buy myself a pretty good steak dinner. Can I be blunt on this subject? If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” — Stephen King. On Writing: A Memoir of the Craft
I’m thinking hard about giving Camp a try, since non-fiction is OK. It 8767 ll be my first time at NaNoWriMo Camp, so feel free to offer suggestions. Any one else planning on camp next month? I know there’s a thread about Camp NaNoWriMo at the Absolute Write NaNoWriMo forum.
I think every writer only really needs one book about writing. There is a time when you are really ready to learn from one book, and as long as you find a good book, it’ll open up the process.
All writing is poetic, to the truly sensitive soul. Never in the history of mankind ever has there ever been a more perfect, more inspiring or more nobler form of communication than poetry. One must aspire to exalt the noble art to its highest incarnation to bring joy and bliss to the world with wit, rhyme and the perfection of the 5/7/5 haiku, or, in the highest form of poetic art, the limerick.
The best starter guide (full of practical suggestions for customizing) is How To Bullet Journal: The Absolute Ultimate Guide from the Lazy Genius Collective. Lots of useful pictures, and down-to-Earth advice.
Kamikaze mode is also still very much in evidence but I ve refined it a bit. The wee little word monster that runs kamikaze mode has developed a more refined sensibility now. These days he only likes vowels. If you turn on kamikaze mode and allow consequences to ensue your words will be systematically disemvoweled.
You don’t learn to write through reading anymore than you learn carpentry by sitting on a chair. You learn to write by writing. And, when you do read something, you learn from it by dissecting it — what is the author doing? How are characters and plot drawn together? You must read critically — that is the key.